Posts Tagged ‘Tangent’

impressions of life: a diana camera story

June 11th, 2010

I posted before about the toy camera work shop I attended back in March with Laura Burlton and Warren Harold. I used my Diana and a 35mm back. If you’ve never shot with a toy camera, it’s really fun! With a 120 film, you can pretty much guesstimate the field of view you see through [...]

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I posted before about the toy camera work shop I attended back in March with Laura Burlton and Warren Harold.

I used my Diana and a 35mm back. If you’ve never shot with a toy camera, it’s really fun! With a 120 film, you can pretty much guesstimate the field of view you see through your viewfinder versus the field of view you actually capture. But with a 35mm back, it is SO hard to figure out which part of the image will actually be exposed onto the negative. It’s like shooting blind! (…Which is fun for me…) Hip shooting, the art of taking photos without putting your eyes to the viewfinder, used to be my thing. While it was fun not knowing what your shots looked like in the end, it’s now just something I do occasionally. And with a 35mm film, so it doesn’t hurt the pocket as much as rolls of 120s do.

houston portrait photographer

houston portrait photographer

houston portrait photographer

houston portrait photographer

houston portrait photographer

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syl arena’s speedliting seminar review (houston)

June 7th, 2010

These days it seems like every photographer is offering a workshop. If it’s not about SEO, it’s about sales or marketing, or tips on how to be a “better” photographer. It’s becoming a learning jungle out there, and finding one that will prove satisfying for your money can become quite expensive. I found Syl Arena’s [...]

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These days it seems like every photographer is offering a workshop. If it’s not about SEO, it’s about sales or marketing, or tips on how to be a “better” photographer. It’s becoming a learning jungle out there, and finding one that will prove satisfying for your money can become quite expensive.

I found Syl Arena’s name from a photographer’s glowing review of the Paso Robles workshop he taught with Joe McNally. As a Canon shooter, one of the main problems we face is decoding our SPEEDLITES. It’s great that you know what exposure means and that you have befriended natural light. But making your own light can be problematic if you can’t figure out what the little gewgaws on your 430EX or 580EX do (or whatever speedlite you currently own).

My 580EX was my greatest “frienemy.” I love using flash in my Westcott 28″ umbrella soft box. However, there are times when it seems like it has its own mind and I’m stumped at the strange way it seems to be acting. When I learned that Syl was going to be touring the country and giving seminars – and that he was going to be in Houston – I jumped at the opportunity.

(Caveat: the following is my attempt to show you the gist of the day. In no way am I giving an actual time-line of events in the sequence each occurred. My story-telling generally tend to go to and fro, whichever event comes to my mind first.)

It was held at the Holiday Inn near the IAH on Saturday, June 5th. (If you missed it, don’t worry, there will be one in Austin this fall!) Unlike the crazy herd present at Joe McNally’s workshop here late last year, Syl’s seminar was less crowded and more intimate. In fact, there was probably less than 20 people who attended, which was terribly surprising but not unwelcome. As someone coming from NYC public schools (and who witnessed the masses at the McNally workshop), I am thankful for classes with a small teacher to student ratio. In fact, I walked away from that day feeling like all my questions had been answered, and that Syl was able to give each of us individual attention whenever we asked a question.

After introducing ourselves, Syl immediately launched into the anatomy of a speedlite: what the icons meant, what they did and how the zoom button also gave you more options than just zoom. There were times when he showed us photo examples, specially during the discussion on High Speed Sync.

syl arena, speedliting seminar, houston

Here, Syl shows us the effect of differing Exposure Values (EV) on an image using his “high tech pointing device.”

A lot of basic knowledge was covered for the new or amateur photographer in the beginning of the class as well, like the relationship between aperture, shutter speed and ISO, and how introducing a light source affected exposure; as well as Flash Exposure Compensation and how it worked independently of Canon camera’s Exposure Compensation.

syl arena, speedliting seminar, houston

Volunteers (and other persons gently and teasingly volun-told) helped show dynamics of speedliting ratios using different light diffusers.

Lunch time had come all too quickly, and we had opted to go as a group to the diner connected to the Holiday Inn. Even there, Syl was tirelessly imparting knowledge as he answered questions and talked about his experiences, leaving him barely enough time for his own Patty Melt.

syl arena, speedliting seminar, houston

Back at the seminar room, Syl shows us lighting effects when using this extra small “soft box,” one of the diffusers used for Off Camera Lighting techniques.

I can’t encompass everything we learned in a single post, and frankly, I won’t :) There are still seminars by Syl Arena that you can attend. For a list of dates and events, visit Speedliting Events.

I am so impressed by his breadth of knowledge and engaging way of teaching that I am urging you – if you are a Canon shooter and want to spend your money on a “workshop,” spend it on something from which you will definitely learn and get your money’s worth. And did I mention that you also get Syl Arena’s “Speedliter’s Intensive Workbook?” This ~70 page workbook is a sneak peak of his book, which will come out sometime in the future.

But just to give you an idea, here’s a list of topics covered straight from SPEEDLIGHTING.COM:

Topics of the Seminar

Speedliter’s Vision

* Learning to truly see

* Understanding how your camera sees differently than you do

* Seeing light’s many personalities

* De-coding the color of light

* Deciding whether the light you see is the light you want


Speedlite Controls

* Deciding between manual and E-TTL flash control

* Putting Flash Exposure Compensation to use

* Learning all the Syncs: High-speed, 1st-curtain, 2nd-curtain, Slow-speed

* Custom functions: Optimizing your Speedlites

Light Modifiers

* Using your Speedlite’s bounce and zoom as a light modifier

* On-flash modifiers: grids, snoots, diffusers, ringlights, etc.

* Off-flash modifiers: umbrellas, softboxes, diffusion panels, reflectors, beauty dish, etc.

Off-Camera: Wired & Wireless

* The best uses for on- and off-camera Speedlites

* Corded solutions for moving your Speedlite off-camera

* Sorting out radio triggers: dumb vs. intelligent

* Setting up the 580EX/EXII as a wireless Master

* Setting up the 580EX/EXII and 430EX/EXII as wireless Slaves

* Organizing multiple Speedlites with Groups and Channels

High-Speed Sync

* The mechanics of High-Speed Sync

* Turning noon to night

* Freezing action while Speedliting

Gels: The When, Why, & How:

* Why Hollywood invented gels

* Gels for color correction

* Gels for creative effect

Speedliting Gear:

* Grip gear for Speedlites: from ultra-portable to ultra-sturdy

* Battery charging and storage

* One-, two-, three-Speedlite kits (and beyond!)

So, onwards, my fellow Canonites!



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Toy Camera Workshop, Houston

March 21st, 2010

Sunday, March 21st, 2PM. We congregated at the Havens Center at West Alabama St, where Laura and Warren are hosting their toy camera exhibition. (You really ought to see that if you’re ever in the neighborhood. These wonderful black and white photographs strike a cord inside you; nostalgic and mysterious.) We began by identifying different [...]

 

Sunday, March 21st, 2PM. We congregated at the Havens Center at West Alabama St, where Laura and Warren are hosting their toy camera exhibition. (You really ought to see that if you’re ever in the neighborhood. These wonderful black and white photographs strike a cord inside you; nostalgic and mysterious.)

We began by identifying different toy cameras, looked at color and black and white prints from the dark room, and learned about how to use our very own camera. I opted for the workshop-only session, so I had to bring my own Diana; you could have paid a bit more and opted to have a Holga and 5 films given to you during the workshop. Anyway, I was the only uncool one without 120 film – my 35mm back made me feel conspicuous – though honestly, I doubt anybody else cared. But for me it felt like coming to class with a black pen while everyone had blue. Really, though, who cares, right?

I do get caught up on the silliest things sometimes.

So moving on. After about two hours, the gaggle of us girls (and Warren) walked out of the Center and trekked down Westheimer. I never realized how awesome just walking down Westheimer actually is. Lots of textures, antique shops, funky stores. I hip shot a lot (hip shooting is putting the camera at hip level – or somewhere not on your eye, really – and shooting on the sly) because I’m too timid to have to ask people for their photos. Plus you can get some pretty cool shots this way.

laura burlton, warren harold, toy camera workshop

laura burlton, warren harold, toy camera workshop

laura burlton, warren harold, toy camera workshop

Here Warren is showing us the camera he built out of his kid’s diaper boxes. The CAMERA HE BUILT OUT OF DIAPER BOXES. I mean, come on! The coolness factor of this cannot be put into mere words!

laura burlton, warren harold, toy camera workshop

laura burlton, warren harold, toy camera workshop

I can’t wait to finish the roll of film I used. The other thing I like about 120 film is you only get 12-16 frames. I have 36 shots to get through before I could get my 35mm film developed. I want my images now NOW NOW! But that’s why I have a digital camera, right?

breaker

annie cat rules | houston portrait photographer

March 16th, 2010

Some people have the audacity to be both terribly good looking and super talented. You know the type? Yeah. But they have to compound the situation by also being exceptionally nice. You can’t help but love em, and you can’t help but love Annie. Have I said how talented this woman is? I asked her [...]

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Some people have the audacity to be both terribly good looking and super talented. You know the type? Yeah. But they have to compound the situation by also being exceptionally nice. You can’t help but love em, and you can’t help but love Annie.

Have I said how talented this woman is? I asked her to take some portraits of my mean mug so I can have something decent for my profile. I hate getting photos of me taken. Hate hate hate. My place is behind the lens, and getting in front of it sets my teeth on edge. I don’t know what to do! So I started playing around, telling myself I didn’t care if I smiled this way and that one tooth poked out behind my bottom lip. (The bane of my adult life.) We joined the myriad photographers, models, and baby models at Mercer Arboretum last Saturday. When Annie said, “Look that way,” I flashed my eyes that way; when she said, “Okay, seductive smile now,” I burst out laughing. Click. And you know what? That’s perfect. There was true joy in that laugh. I wish more people would take themselves less seriously and just let go a good guffaw. Annie called me a natural (I giggled) but it made me feel comfortable in front of the lens.

And while she was snapping away in front of me, I managed to quickly shoot a few photos of her and the arboretum as I posed.

annie cat, mercer  arboretum

annie cat, mercer arboretum

annie cat, mercer arboretum

Below is my favorite of the photos from Annie: this image of a half woman-half camera. It encompasses how I see myself, perhaps better than a self-portrait could, where I could brood for days and not take a single picture. Not to mention it makes me look pretty darn good, in my totally unbiased opinion.

kris  fulk photography

Now off you go to her website. You’ll see what I mean with my well deserved effusive praise of her skills :)