Archive for the ‘Tangent’ Category

Sailor Moon Love | A personal project

June 10th, 2011

When I was in junior high, I used to wake up at 6AM and sneak into the living room so I could turn on the TV and watch Sailor Moon. My parents were very strict, and 6AM was definitely *not* the time to watch TV. Never mind that I had to get ready for school [...]

 

When I was in junior high, I used to wake up at 6AM and sneak into the living room so I could turn on the TV and watch Sailor Moon. My parents were very strict, and 6AM was definitely *not* the time to watch TV. Never mind that I had to get ready for school in 30 minutes. But being the die hard fan that I was (and still am), I did it anyway and darn the consequences. I had to see Serena fight the evil horde and become Sailor Moon; I had to know if Tuxedo Mask was really Darian, and even more important than the battle between good and evil, could their love possibly blossom…?

Other than Disney’s the Little Mermaid, Sailor Moon had captured my young imagination like no other. (And no, Sailor Moon had nothing to do with my eventually becoming an actual sailor in the US. Navy…That was Top Gun and a whole ‘nother story…) Of course, I couldn’t resist the temptation. When my Quadra lights came in the mail last year, the first thing I did was call my friend Laurie and ask her to step up to be the super hero I knew she was. And if you’re wondering: yes, I did have a Sailor Moon suit in my closet. The yellow wig too. We’re all allowed some vices :-)

Houston Portrait Photographer

Houston portrait photographer

Laurie gets a 10 for being so ridiculously cute.

Houston Portrait Photographer

We didn’t encounter any bad guys during the shoot, and honestly, the only martial arts I know is from watching Ip Man, but we did kick butt in the fun department. Special shout out to our friend Ali. I couldn’t have done it without her help with the Quadra lights!

PS. Are you a die hard fan of something? Can you use it in a photo shoot?

PPS. If you liked this post, please hit the like button below!

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impressions of life: a diana camera story

June 11th, 2010

I posted before about the toy camera work shop I attended back in March with Laura Burlton and Warren Harold. I used my Diana and a 35mm back. If you’ve never shot with a toy camera, it’s really fun! With a 120 film, you can pretty much guesstimate the field of view you see through [...]

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I posted before about the toy camera work shop I attended back in March with Laura Burlton and Warren Harold.

I used my Diana and a 35mm back. If you’ve never shot with a toy camera, it’s really fun! With a 120 film, you can pretty much guesstimate the field of view you see through your viewfinder versus the field of view you actually capture. But with a 35mm back, it is SO hard to figure out which part of the image will actually be exposed onto the negative. It’s like shooting blind! (…Which is fun for me…) Hip shooting, the art of taking photos without putting your eyes to the viewfinder, used to be my thing. While it was fun not knowing what your shots looked like in the end, it’s now just something I do occasionally. And with a 35mm film, so it doesn’t hurt the pocket as much as rolls of 120s do.

houston portrait photographer

houston portrait photographer

houston portrait photographer

houston portrait photographer

houston portrait photographer

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syl arena’s speedliting seminar review (houston)

June 7th, 2010

These days it seems like every photographer is offering a workshop. If it’s not about SEO, it’s about sales or marketing, or tips on how to be a “better” photographer. It’s becoming a learning jungle out there, and finding one that will prove satisfying for your money can become quite expensive. I found Syl Arena’s [...]

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These days it seems like every photographer is offering a workshop. If it’s not about SEO, it’s about sales or marketing, or tips on how to be a “better” photographer. It’s becoming a learning jungle out there, and finding one that will prove satisfying for your money can become quite expensive.

I found Syl Arena’s name from a photographer’s glowing review of the Paso Robles workshop he taught with Joe McNally. As a Canon shooter, one of the main problems we face is decoding our SPEEDLITES. It’s great that you know what exposure means and that you have befriended natural light. But making your own light can be problematic if you can’t figure out what the little gewgaws on your 430EX or 580EX do (or whatever speedlite you currently own).

My 580EX was my greatest “frienemy.” I love using flash in my Westcott 28″ umbrella soft box. However, there are times when it seems like it has its own mind and I’m stumped at the strange way it seems to be acting. When I learned that Syl was going to be touring the country and giving seminars – and that he was going to be in Houston – I jumped at the opportunity.

(Caveat: the following is my attempt to show you the gist of the day. In no way am I giving an actual time-line of events in the sequence each occurred. My story-telling generally tend to go to and fro, whichever event comes to my mind first.)

It was held at the Holiday Inn near the IAH on Saturday, June 5th. (If you missed it, don’t worry, there will be one in Austin this fall!) Unlike the crazy herd present at Joe McNally’s workshop here late last year, Syl’s seminar was less crowded and more intimate. In fact, there was probably less than 20 people who attended, which was terribly surprising but not unwelcome. As someone coming from NYC public schools (and who witnessed the masses at the McNally workshop), I am thankful for classes with a small teacher to student ratio. In fact, I walked away from that day feeling like all my questions had been answered, and that Syl was able to give each of us individual attention whenever we asked a question.

After introducing ourselves, Syl immediately launched into the anatomy of a speedlite: what the icons meant, what they did and how the zoom button also gave you more options than just zoom. There were times when he showed us photo examples, specially during the discussion on High Speed Sync.

syl arena, speedliting seminar, houston

Here, Syl shows us the effect of differing Exposure Values (EV) on an image using his “high tech pointing device.”

A lot of basic knowledge was covered for the new or amateur photographer in the beginning of the class as well, like the relationship between aperture, shutter speed and ISO, and how introducing a light source affected exposure; as well as Flash Exposure Compensation and how it worked independently of Canon camera’s Exposure Compensation.

syl arena, speedliting seminar, houston

Volunteers (and other persons gently and teasingly volun-told) helped show dynamics of speedliting ratios using different light diffusers.

Lunch time had come all too quickly, and we had opted to go as a group to the diner connected to the Holiday Inn. Even there, Syl was tirelessly imparting knowledge as he answered questions and talked about his experiences, leaving him barely enough time for his own Patty Melt.

syl arena, speedliting seminar, houston

Back at the seminar room, Syl shows us lighting effects when using this extra small “soft box,” one of the diffusers used for Off Camera Lighting techniques.

I can’t encompass everything we learned in a single post, and frankly, I won’t :) There are still seminars by Syl Arena that you can attend. For a list of dates and events, visit Speedliting Events.

I am so impressed by his breadth of knowledge and engaging way of teaching that I am urging you – if you are a Canon shooter and want to spend your money on a “workshop,” spend it on something from which you will definitely learn and get your money’s worth. And did I mention that you also get Syl Arena’s “Speedliter’s Intensive Workbook?” This ~70 page workbook is a sneak peak of his book, which will come out sometime in the future.

But just to give you an idea, here’s a list of topics covered straight from SPEEDLIGHTING.COM:

Topics of the Seminar

Speedliter’s Vision

* Learning to truly see

* Understanding how your camera sees differently than you do

* Seeing light’s many personalities

* De-coding the color of light

* Deciding whether the light you see is the light you want


Speedlite Controls

* Deciding between manual and E-TTL flash control

* Putting Flash Exposure Compensation to use

* Learning all the Syncs: High-speed, 1st-curtain, 2nd-curtain, Slow-speed

* Custom functions: Optimizing your Speedlites

Light Modifiers

* Using your Speedlite’s bounce and zoom as a light modifier

* On-flash modifiers: grids, snoots, diffusers, ringlights, etc.

* Off-flash modifiers: umbrellas, softboxes, diffusion panels, reflectors, beauty dish, etc.

Off-Camera: Wired & Wireless

* The best uses for on- and off-camera Speedlites

* Corded solutions for moving your Speedlite off-camera

* Sorting out radio triggers: dumb vs. intelligent

* Setting up the 580EX/EXII as a wireless Master

* Setting up the 580EX/EXII and 430EX/EXII as wireless Slaves

* Organizing multiple Speedlites with Groups and Channels

High-Speed Sync

* The mechanics of High-Speed Sync

* Turning noon to night

* Freezing action while Speedliting

Gels: The When, Why, & How:

* Why Hollywood invented gels

* Gels for color correction

* Gels for creative effect

Speedliting Gear:

* Grip gear for Speedlites: from ultra-portable to ultra-sturdy

* Battery charging and storage

* One-, two-, three-Speedlite kits (and beyond!)

So, onwards, my fellow Canonites!



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meet rachel perry

June 4th, 2010

A few months ago, I met Rachel at a networking opportunity for Houston photographers. She’s sassy and funny – needless to say, we got along swimmingly. So a couple of weeks ago, she and I decided to have fun and just shoot each other. It was a tad sweltering outside, but that didn’t deter us [...]

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A few months ago, I met Rachel at a networking opportunity for Houston photographers. She’s sassy and funny – needless to say, we got along swimmingly. So a couple of weeks ago, she and I decided to have fun and just shoot each other. It was a tad sweltering outside, but that didn’t deter us from packing up our epiphanie and jill-e bags, and traipsing down Jackson Hill. One minute of stepping out into the heat and we were glistening beatifically. It was glorious.

I can’t wait to see how the photos of me turned out (there was some kind of acrobatic leap in front of a garage, and enough “Bend and Snap” to make Legally Blonde proud). But here’s our favorites of the photos I took of her.

Meet Rachel.

Meet Rachel Perry

Meet Rachel Perry

Rachel photographs weddings, portraits, seniors, and many other things. You can find out more about her and see her fabulous work at Rachel Perry Photography.
Rachel PerryRachel Perry

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Toy Camera Workshop, Houston

March 21st, 2010

Sunday, March 21st, 2PM. We congregated at the Havens Center at West Alabama St, where Laura and Warren are hosting their toy camera exhibition. (You really ought to see that if you’re ever in the neighborhood. These wonderful black and white photographs strike a cord inside you; nostalgic and mysterious.) We began by identifying different [...]

 

Sunday, March 21st, 2PM. We congregated at the Havens Center at West Alabama St, where Laura and Warren are hosting their toy camera exhibition. (You really ought to see that if you’re ever in the neighborhood. These wonderful black and white photographs strike a cord inside you; nostalgic and mysterious.)

We began by identifying different toy cameras, looked at color and black and white prints from the dark room, and learned about how to use our very own camera. I opted for the workshop-only session, so I had to bring my own Diana; you could have paid a bit more and opted to have a Holga and 5 films given to you during the workshop. Anyway, I was the only uncool one without 120 film – my 35mm back made me feel conspicuous – though honestly, I doubt anybody else cared. But for me it felt like coming to class with a black pen while everyone had blue. Really, though, who cares, right?

I do get caught up on the silliest things sometimes.

So moving on. After about two hours, the gaggle of us girls (and Warren) walked out of the Center and trekked down Westheimer. I never realized how awesome just walking down Westheimer actually is. Lots of textures, antique shops, funky stores. I hip shot a lot (hip shooting is putting the camera at hip level – or somewhere not on your eye, really – and shooting on the sly) because I’m too timid to have to ask people for their photos. Plus you can get some pretty cool shots this way.

laura burlton, warren harold, toy camera workshop

laura burlton, warren harold, toy camera workshop

laura burlton, warren harold, toy camera workshop

Here Warren is showing us the camera he built out of his kid’s diaper boxes. The CAMERA HE BUILT OUT OF DIAPER BOXES. I mean, come on! The coolness factor of this cannot be put into mere words!

laura burlton, warren harold, toy camera workshop

laura burlton, warren harold, toy camera workshop

I can’t wait to finish the roll of film I used. The other thing I like about 120 film is you only get 12-16 frames. I have 36 shots to get through before I could get my 35mm film developed. I want my images now NOW NOW! But that’s why I have a digital camera, right?